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HOW FAR WOULD YOU HAVE GOTTEN IF I HADN'T CALLED YOU BACK?
An ALA Best Book 1995
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What's it all about?
It is 1960, and 16-year-old Bronwyn Lewis' father has moved the family from
New Jersey to Ojala, California. Street-smart Bron is caught offguard by
the effortless cool of her new classmates. To make it in Ojala, Bron will
have to remake herself. And so she puts aside her studies to drag-race,
hang out--and meets the two men who will change her life.
Read an excerpt Until school began that fall, I read three-inch dollar fifty trash novels,
Love's Sweet Sorrow, Mandingo, or walked the back streets kicking dust
through my sandals, crying. There was nothing I could do, nothing to turn
my parents around, nothing I could say to make them understand how
completely they'd ruined my life. They'd stopped hearing me. I meant
nothing to them. But soon the tears stopped and I became dry and
parsimonious as the landscape.
For an Easterner, walking those back streets was like exploring a
strange planet or a movie set left standing long after the film had been
made, The Grapes of Wrath, High Noon. There were no lawns -- I supposed,
wrongly, that Ojalans were simply too lazy to tend them -- and no
sidewalks. None of the flowers I knew, the white tulips mom planted and
replanted each fall (had she brought them with her?), the wild narcissus
and clouds of yellow forsythia we kids would pass each spring on the way to
the bus stop, none of these grew here.
Here, exotic ugly plants grew in globular or spiny profusion with
red or yellow prickly blossoms sticking to their hides. Enormous trees that
smelled of mentholatum dwarfed single story mud huts (the adobe I had no
name for then) so that they appeared even smaller than they were and less
substantial. Beneath the trees and clear across the roads lay curls of
dried bark that cracked when you stepped on it, releasing puffs of dusty
brown smoke into the air.
Nurturing my homesickness to a fine art, I remembered only what
was good about Plainfield. I remembered particularly the way a winter snow
would settle on everything as I slept, so that I would awaken to a magical
transformed world of white heaps and hills and the tops of Christmas trees
I hadn't realized had been there all along. I would recapture in memory the
smell of hay in the Fall -- dried stalks of wheat in the field across from
our house, gathered and bunched at the top like witches' hats, what it felt
like to cut a perfect figure eight on Badgley's Pond, fireflies, the taste
of snowcream. Here, everything -- houses, cars, sleeping dogs-- wore a
coat of fine reddish-brown dust. It got in your eyes and your hair as you
walked, so that after a while you could taste it.
I must have walked every back street, muttering to myself like
someone old and half mad. And then one afternoon I glanced up from my
sandals and saw for the first time a small church I must have passed a
dozen times. It was badly in need of paint but its gold cross shone as if
someone climbed the steeple every morning to polish it. The Lord giveth,
The Lord taketh away, said the weekly message board. I could not have
agreed more. In the attached building, used I guessed for Sunday school
classes, a door stood open and just inside the door was an upright piano.
Glancing around and finding no one to stop me, I stepped inside.
The room was mostly bare. Chairs had been folded and stacked along
one wall. There was only one picture, the one I thought Jesus would have
liked best, with all the children and animals. Beneath the picture was the
piano.
I lifted the lid. Not a key was chipped or scarred, just yellowed
with age like a set of strong old teeth. Middle C sent a rippling
reverberation through the room. When no one came I slid out the bench and
sat down. The room was cool and dim. The one door leading into the church
was closed. I played a scale, then a simple sonata. It was like releasing
rusty water from a pump.
I never walked the main street, the other end of the avenue, where
"the kids" were. They owned the town, these teenagers, and everyone seemed
to know it: shopkeepers, gas station attendants, even the police chief who
smiled and waved as if granting approval of everything they did.
From late afternoon until long past midnight, the kids would cruise
Ojala Avenue, all three miles of it, back and forth, back and forth, in
their spectacular cars. After a while, I knew all the cars and would watch
for them: the candy apple pickup, the deep purple Chevy with the silver
fins, the blue Olds convertible. The drivers, always boys, would honk their
horns, wave, call out to each other or make obscene hand gestures.
Sometimes one of the more daring would leap from the backseat of one
convertible (the blue Olds) into another (a white Ford with skinny stripes
of red and gold), flat into the laps of his friends in the back. I'd sit on
my father's new steps (we'd had to make a terrific fuss over them, how
straight and even they were, what a magnificent job my father had done) and
I'd watch the cars and all the waving arms shimmering and dancing through
the heat waves like a non-stop Gidget movie. These were California
kids.Everybody had heard of them. They were famous as the movie stars they
imitated.
At noon they would gather at the Frostee, sprawl on the hoods of
their cars or all over the blue Olds convertible, drinking cokes, laughing,
always laughing. They all had perfect teeth. This was hard not to notice.
Perfectly straight, perfectly white teeth. From Bailey's Market across the
way as I helped my father load bagsful of food into Bess' trunk, I'd watch
these kids and study what they wore, how the girls did their hair. They
were all very tan with impossibly long legs, boys and girls alike,
California Barbies and Kens. They terrified me with their confidence, with
their seeming hold on the world.
Reviews "A powerful portrait of peer pressure, dysfunctional families, and the
anomie that pervades so many aspects of American life. Will leave readers
thoughtful and shaken." --Kirkus Reviews, pointer review
"Full of energy, confidence, and surprise. An enticing coming-of-age story,
unerringly accurate in both its passions and its scenery," --Booklist
Publication Information HOW FAR WOULD YOU HAVE GOTTEN IF I HADN'T CALLED YOU BACK?
A Richard Jackson Book
Orchard Books
Spring 1995
ISBN 0-531-09480-4
$19.95